Charcoal on paper, 400 mm x 300 mm. I am always inspired by Yanis Marshall’s choreography. Here is the first trial to capture my impression of his work.
Category: Epic 2 – Finding JLW
I am curious as to why artists do self-portraits. After putting it into practice, I realize it is an exercise in psychological self-exploration. Unlike facing a model, I face up to my questions myself whilst creating or recreating the image. Instead of painting an accurate likeness, I choose to explore the projection of who I want to be or not want to be, mingled with endless curiosity, doubt, joy, skepticism, pride, fear, desire, freedom and so on… I find the process provides me with an opportunity to face myself with more honesty and veracity.
Letting It All Out
Who says oil painting technique is only about layering on planes and adding material, it could also include smearing on planes and reducing material. An experiment of charcoal techniques with brushes on canvas with acrylic base, with limited palette in limited hours. Strategically to do less for more is an uncomfortable yet exciting time. Oil…
The Right Punch
Who says oil painting technique is only about layering on planes and adding material, it could also include smearing on planes and reducing material. An experiment of charcoal techniques with brushes on canvas with acrylic base, with limited palette in limited hours. Strategically to do less for more is an uncomfortable yet exciting time. Oil…
Reliving The Taste
Who says oil painting technique is only about layering on planes and adding material, it could also include smearing on planes and reducing material. An experiment of charcoal techniques with brushes on canvas with acrylic base, with limited palette in limited hours. Strategically to do less for more is an uncomfortable yet exciting time. Oil…
Envy
Who says oil painting technique is only about layering on planes and adding material, it could also include smearing on planes and reducing material. An experiment of charcoal techniques with brushes on canvas with acrylic base, with limited palette in limited hours. Strategically to do less for more is an uncomfortable yet exciting time. Oil…
Intrigued
Imagine the colour schemes of all the brain chemistries when we are intrigued: the interest, the curiosity, the fascination, and maybe high expectation aroused in our heads. Oil on canvas, 400 mm x 500 mm
Rage
Who says oil painting technique is only about layering on planes and adding material, it could also include smearing on planes and reducing material. An experiment of charcoal techniques with brushes on canvas with acrylic base, with limited palette in limited hours. Strategically to do less for more is an uncomfortable yet exciting time. Oil…
Flutter
Oil on canvas, 900 mm x 600 mm an idea of the emergence of life, always learning to fly, trying to be free of the cradle roots that bind. <
The Bridge
Oil on canvas, 500 mm x 700 mm Ballpen on paper, 200 mm x 300 mm
Go Forth My Tendrils (枝蔓垂相樛)
Ballpen on paper, 200mm x 300mm
LIANG 